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Francisco de Goya
Marquesa de Pontejos
1786
83" x 49 3/4"
National Gallery of Art, Washington DC
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Francisco de Goya
Birth of the Virgin
1771-73
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Francisco de Goya
The Parasol
1777
Museo del Prado, Madrid
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Francisco de Goya
Portrait of the Duchess of Alba
1797
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Francisco de Goya
The Adoration of the Name of the Lord
1772
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Francisco de Goya
The Holy Family
1774
Museo del Prado, Madrid
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Francisco de Goya
The Count of Floridablanca
1783
Banco Urquijo, Madrid
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Francisco de Goya
Picnic on the Banks of the Manzanares
1776
Museo del Prado, Madrid
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Francisco de Goya
Blind Man Playing the Guitar
1778
Museo del Prado, Madrid
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Francisco de Goya
The Maja and the Masked Men
1777
Museo del Prado, Madrid
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Francisco de Goya
The Pottery Vendor
1779
Museo del Prado, Madrid
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Francisco de Goya
The Fire
1793
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Francisco de Goya
The Burial of the Sardine
1793
Academy of San Fernando, Madrid
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Francisco de Goya
Village Bullfight
1793
Academy of San Fernando, Madrid
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Francisco de Goya
Portrait of Maria Teresa de Borbon y Vallabriga
1783
53" x 46 1/4"
National Gallery of Art, Washington DC
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Francisco de Goya
The Woman with a Fan (mk05)
Canvas 40 1/2 x 33''(103 x 84 cm)Entered the Louvre in 1898 R.F 1132 (S/AR)
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Francisco de Goya
Ferdinand Guillemardet French Ambassador in Spain (mk05)
1798-1800
Canvas 73 1/4x 49''(186 x 124 cm)Entered the Louvre in 1865 M I 697 (S/AR)
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Francisco de Goya
Portrait of Mariana Waldstein (mk05)
Canvas 56 x 38 1/4''(142 x 97 cm)Entered the Louvre in 1976 R F 1976-69(G/AR)
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Francisco de Goya
The Countess of Carpio,Marquise de la Solana (mk05)
1757-1795
Canvas 71 1/4 x 48''(181 x 122 cm)Entered the Louvre in 1953 R.F 1942-23(S/AR)
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Francisco de Goya
The Ill-Matched Couple (mk05)
Tin 16 1/2 x 11 1/2''(42 x 29 cm)Entered the Louvre in 1970 R.F 1970-33(MN)
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| Francisco de Goya
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Spanish
1746-1828
Francisco de Goya Locations
was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso.
Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art.
In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom.
After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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